ORIGIN OF THE DAY OF THE DEAD IN MEXICO
The death is the unavoidable destination for all human life and it is natural
this reality cause us scare and anguish, mainly when we are in danger to die or
when the death affects our dear beings.
This summary dedicated to the celebration of the Day of the Dead has the
purpose of bringing near children and adults with the idea of the death.
So, they will go accepting as unavoidable part of the human life. How some
old cultures also made rites about the death; and strengthen the character
from the religious point of view.
Also, I hope you can understand the Mexican sensibility, our so particular way to
understand and give sense to the celebration of the Day of the Dead.
More than the act to die, more important is what's going on after to die. That other
world from which we make representations, customs and traditions that become cultures.
So, in front of the unknown road of the death, we can
only imagine with symbols.
CULT TO THE DEAD IN OTHER CULTURES
In the old cultures like China and Egyptian, the cult to the dead is
considered as a symbol of family unit. They yielded them cult building
temples and pyramids.
In the China culture for example, in the anniversaries, they burned incense,
lit candles and offered food on an altar. Were the days in which they
remembered the big debts that they had with their ancestors.
The old Egyptians believed that the human had two spirits. When the body dies, one
goes to the further on and the other remains wondering in the space, so,
he needs to eat. They considered this Spirit live in the body that
was carefully embalmed. So, he can continue existing. This spirit
receives the offerings.
AZTECS AND THE CULT TO THE DEATH
The
celebration of the Day of the Dead is linked to the Agricultural calendar
from the Prehispanic ancient; because this is the only celebration when
start the gathering or crop. So, this is the first great banquet after the
shortage seasons of previous months and they shared it until with the
Dead.
Náhuatl
culture considered that the destiny of humanity is perishing. We can find
this concept in writings from that time, from a Prehispanic king and poet,
Netzahualcóyotl (1391-1472). He wrote: "we are humans / all will go
on, / all will be die in the earth. / Like a painting, / all will go
erasing. / Like a flower, / we will go to drying / here on the earth. /
Meditate it, men eagles and tigers, / although you are from jade, /
although you are golden, / also we will go on / to the place of the rests.
/ We have to wake up, / nobody will be remaining."

This
feeling about destination should be understanding in sense that the Aztec
people were conceived themselves like soldiers of the Sun, and their rites
contributed to strengthen the Sun-Tonatiuh in his divine combat against
the stars, symbols of wrong and night or darkness.
The Aztecs offered
sacrifices to their gods; and in just retribution, they spilled the light or
the day and the rain on the humanity in order to make grow the life.
The
cult to the death is one of the basic elements in the religion of Mexican
ancient. They believed that the death and the life constitute a unity. For
the prehispanic people the death is not the end of the existence, it is a
transitional way toward something better.
We
can find symbols about the cult to the death in their architecture
–pyramids-, sculpture and ceramic, as well as in poetic songs. There are
evidenced about pain and anguish are feelings caused by the step to the
death; to the “Mictlán”, place of the dead people or the spirit that
have to wait for good destination, the paradises of the “Tlalocan”.

[Sheaf or bundle of reeds]
|

[The god mictlantecuhtli]
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[Prehispanic mummy]
|
|
The Aztecs divided the time in centuries of 52 years. At the end of each cycle, they celebrated a
ceremony called "the tiing of the years". In the sculpture, each cycle is represented by a
"sheaf or bundle of reeds." This sculpted stone symbolizes the end of an Aztec
century.
|
Mictlantecuhtli was the god of the
dead. Those who was died in natural death they went to the "Mictlan"
|
The Aztec culture, they believed after dying, they would continue living in another way. the
dead were buried with all kind of objects that could be help in their trip to the Mictlan.
|
[The "Tlalocan" or the paradise]
The
sacrifice of death is not a personal purpose. The death is justified in
the well-fares collectivity, to continuity the creation; is more important
the health of the world. This purpose does not involve the individual
salvation. The dead people disappear in order to return to the world of
the shades, to melt to the air, to the fire and to the earth; back to
essence that encourages the universe.
The
human sacrifices are considered as the tribute that the conquering towns
paid to their gods, and they in retribution fed the life to the
universe and to their society.
On
the other hand, when somebody died, they organized parties in order to
help the spirit in their road to. Like in Egyptian culture, the old
Mexicans buried the bodies, wrapped them in a carpet handmade with the
leaf of palm, called “petate”. They put food for when the spirit feel
hungry, because their trip by the road of the Chignahuapan (from the “náhuatl”
language: new “apan” in the river; that is to say "on the new
rivers"); similar to the purgatory, this road was very difficult,
because they could find cold and hot places.
CELEBRATION AT THE PRESENT TIME
This
celebration conserves many of the Prehispanic influence about the cult to
the dead, we can found them in Tláhuac, Xochimilco and Mixquic, places
near to Mexico City. In the state of Michoacán, the most important
ceremonies are from the purépechas Indians, from the famous lake of Pátzcuaro,
especially in the island of Janitzio. Equally important are the ceremonies
from the towns in the Isthmus of Tehuantepec, Oaxaca state and in Cuetzalán
town, in Puebla estate.
On
their altars, they put light candles; burn incense, artifacts designed
specially for that. They place Christian images like crucifix and the
virgin of Guadalupe. They put portraits of their died beings. The foods
are placed in plates handmade with mud; these foods are characteristic of
the region. They put too alcoholic drinks or glasses with water, juices of
fruits, breads made for this special days, decorated with red sugar to
simulate the blood. Cookies, basked fruits and candies cook with pumpkin.
MEXICAN SENSE ABOUT THE DEATH

We
have a special feeling about this natural phenomenon and the pain that
produce between us. The death is like a mirror that reflects the kind of
life in which we had lived and our regret about it. When the death
arrives, the death remembers us the life. If our death does not make
sense, neither made sense our life, "tell me how you die and I will
tell you how you are."
Making
a mixture of the Prehispanic cults and the Christian religion, they say
the death is not the natural end of the life; it is the process of an
infinite cycle. Life, death and resurrection are the stadiums of the
process in the Christian religion, in accordance with the Prehispanic
concept of the death, the sacrifice of the death- the act of die- is the
consent to accept the process creator that gives us the life. The body
dies and the spirit is given to God (to the gods) as a contracted debt by
to give us the life.
But
the Christianity modifies the sacrifice of the death. The death and the
salvation become an individual process, for the Christians the person is
the one who count.
The
beliefs unite again as soon as the life is only justified and transcends
in the sacrifice of death.
Since
the death does not have any meaning or value that make transcend it, so,
we have to belief that the death is the inevitable end of a natural
process.
It
is a fact that the death exists, but nobody thinks about its own death. In
the contemporary, the "death" it is a word that is not
pronounced. The Mexicans we neither thought about our own death, but we
are not afraid it because the religious faith gives us the force in order
to recognize it and maybe because we are also a little indifferent to the
life.
The
scorn, the fear and the pain against the death are unites to the
celebration that we professed. It is say,
maybe
the death could be a vengeance to the life,
because
the death
liberate us from those vanities in which we lived;
and convert us, to the end of the times, to all for equal in what we are,
a peace of bones.
Then,
the death becomes humorous and ironic; we called it "calaca,"
bony, skinny, scrawny, and skeletal. The act of die, we give definitions
like succumb, stretching the legs, extinguish. These expressions allow
play a joke, making proverbs and verses.
The
death is present in our game, we made skulls of sugar, figures cuttings of
paper, colored skeletons, toys of skeletons, marionettes of skeletons and
when we make cartoons or comics. Not to play as usually, maybe as a
decoration in the house and schools. We put some of them in the altar too.
Comments and opinios to: Laura de la Vega
e-mail: lvega@acabtu.com.mx
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